4-minute read
2024 was a year in which I managed to read and review 38 books. What follows is my personal top 5 of the most impactful, most beautiful, and most thought-provoking books I read this year.
Jay Matternes is one of the more underrecognized palaeoarists. Born in 1933, he has laboured away as a freelance artist in relative obscurity for over six decades. In 2020, I reviewed Visions of Lost Worlds which celebrated the six large prehistoric mammal murals he painted for the Smithsonian Museum of Natural History. I concluded that review by asking about the rest of his career and suggested this was an area ripe for a biographer. Little did I know that such a book was already in the making and it flew under my radar[1] until very recently. As if the prospect of more artwork by Matternes was not enough, when I saw that it was authored by Richard Milner, who wrote the de-facto career retrospective of renowned palaeoartist Charles R. Knight, I was positively salivating. To say that I am pleased with the result would be putting it mildly.
When done well, palaeoart represents one of the finest examples of science and art intersecting. As a genre, it continues to advance and reinvent itself, especially in its professionalism and scientific accuracy. Mesozoic Art might represent Bloomsbury’s entry into this market but the book has two experienced editors at the helm. Artist Steve White and palaeozoologist Darren Naish both have more than their fair share of producing and thinking about palaeoart. Featuring twenty artists, Mesozoic Art is a gorgeously produced, large-format portfolio that shows palaeoart at its current pinnacle. For lovers of dinosaur illustrations, this book is a no-brainer, and I imagine that many will have already gone ahead and purchased it. But just in case you still need convincing…
This is the second of a two-part dive into the world of pterosaurs, following on from my review of Mark Witton’s 2013 book Pterosaurs. Almost a decade later, the well-known independent palaeontologist and palaeoartist Gregory S. Paul has written and illustrated The Princeton Field Guide to Pterosaurs. Admittedly, a field guide to extinct creatures sounds contradictory. Really, this is an illustrated guide for the palaeo-enthusiast in which Paul’s signature skeletal reconstructions take centre stage.
The downside of starting a review blog is that certain books will have missed the cut, having been published sometime before you started. And with the constant churn of exciting new titles, it is hard to make time for them. Sometimes a new book on a certain topic is just the prompt you need though. Thus, with Princeton University Press having recently published Gregory S. Paul’s The Princeton Field Guide to Pterosaurs, I decided to finally take Mark Witton’s 2013 book Pterosaurs off the shelf and read them back-to-back. This, then, is the first of a two-part dive into the world of these extinct flying reptiles.
The Crystal Palace Dinosaurs are probably one of London’s better-kept secrets. This unlikely collection of life-size outdoor sculptures of some 30 prehistoric creatures—including dinosaurs, marine reptiles, and extinct mammals—has survived in the city’s southeast for almost 170 years. They have been lampooned for being terribly outdated in light of what we know today. But that does them no justice. In this gorgeously illustrated book, palaeontologist and palaeoartist Mark Witton has teamed up with Ellinor Michel, an evolutionary biologist and chair and co-founder of the Friends of the Crystal Palace Dinosaurs charity. Together, they chart the full story of the inception, planning, construction, reception, and survival of the sculptures. Foremost, it shows how cutting-edge they were back then, why they still matter today, and why they need our help.
Greenland’s name might be considered one of history’s great ironies, apparently part of a cunning plan to attract Viking settlers. The locals simply called it Kalaallit Nunaat or “land of the Kalaallit”, after their people. However, once upon a time, Greenland was green. Tropical Arctic is the fruit of an 18-year collaboration between two palaeobotanists and an artist to bring to life the plant fossils found in East Greenland. In three paintings, it provides a glimpse of Greenland during a 10-million-year window at the Triassic–Jurassic boundary, some 200 million years ago. Much more than a coffee table book, it details the research that goes into producing scientifically accurate artwork, making it a rare treat for readers interested in botany and palaeontology.
It is no mean feat to try and tell the history of a discipline as enormous as palaeontology through images in a mere 256 pages. Yet this is exactly the challenge that David Bainbridge has taken on with this book. He has curated a striking selection of vintage and modern palaeoart, archival photos of fossils and their discoverers, and scientific diagrams through the ages. The resulting Paleontology: An Illustrated History manages to combine the old and the new with the familiar and the unfamiliar into one neatly crafted package that makes for a very nice gift.
Though I could not paint or draw a dinosaur if my life depended on it, I never tire of reading about palaeoart. What a treat, then, that Crowood Press revisits this subject with this book by US palaeoartist Emily Willoughby. Very much a resource for those already familiar with basic art techniques, it counsels the reader on what goes into making believable and memorable palaeoart. Featuring foremost Willoughby’s favourite subject, feathered dinosaurs, the book also doubles up as a beautiful portfolio of her artwork, showcasing her mastery of a wide range of media.
Fossils can tell us what animals living in the distant past looked like. Over the centuries, palaeontologists have made incredible strides in reconstructing extinct life forms, helped along by cumulative experience, technological advances, and a steadily increasing body of rare but truly exceptionally preserved fossils. But reconstructing their behaviour—surely that is all just speculative? In Locked in Time, palaeontologist and science communicator Dean R. Lomax, with the able help of palaeoartist Bob Nicholls, presents fifty of the most exceptional fossils that preserve evidence of past behaviour: from pregnant plesiosaurs to a pterosaur pierced by a predatory fish. I was eagerly awaiting this book from the moment it was announced, but I was still caught off-guard by some of the astonishing fossil discoveries featured here.